Madison Street

After when the old night wraps

and cuddle the tired spring-day

in its arms. People leave

the Madison street for the Downtown weekend charm.

Its loneliness made me lost my way, twice.

I mistook Jefferson for Madison,

walked and walked

until the darkness hit my eyes.

Upon my asking the black boy

who works on the gas-station guided

the way back, dismantling my almost

white-supremacist-belief about blacks

and them being indecent and insensitive.

After getting slapped satisfactorily,

when I stepped on the Madison street,

I thought of you and your aloofness,

however, I knew the thought would die

after I enter my room and insert

‘faith-is-dead 417’ using the keyboard.

 

 

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Blues, Bruises and Burnt Fumes by Ramsha

Spend another night,
with eyes wide open,
in regret
that you didn’t preserve
your lover’s caresses 
in the jar of your body,
like those dead specimen
which amateur scientists
put in generic solutions,
for future experimentation.

Forget
that your memory betrayed
that you have survived
the blues and the bruises
of love.

Breathe.
Live on burnt fumes.

 

 

 

 

Street Shame by Ramsha Ashraf

When the nights get too dark, too grotesque and too blurry to show the light of stars, which in fact, even in bearable times, keep smiling at the ordinariness of the earthlings, you try to forget whatever little you know.

Stench of the garbage,
It was born into,
Is enough to suffocate it.
The body is rotten,
To the core of its existence,
But the pretense exists
For the fear of being found out
Is too strong to shed the shell off.

The shame of the street,
That stinks of unprotected gutters,
naked, malnourished, and fearless children playing with nothing but pebbles,

The anxiety of being singled out,
And above all,
The horror of denying
What was expressed as its impression
Of defiance and rebellion,
What was mistook as its pride
In blood and belonging,

All is a burden for it to breathe…

It bleeds… It still bleeds…

It is not a human anymore

But cannot let the shame fall off its shoulders.

“Walking Around” by Pablo Neruda

Translated from Spanish by John Felstiner

 

 

It so happens I’m tired of being a man.

It happens I go into tailor shops and movies

shriveled up, impervious, like a felt-stuffed swan

steering through waters of origin and ash.

The smell of barbershops makes me break out sobbing.

All I want is the quiet of stones or wool,

all I want is to see no stores or gardens,

or merchandise or eyeglasses or elevators.

It happens I’m sick of my feet and fingernails

and my hair and my shadow.

It so happens I’m tired of being a man.

Still it would be a treat

to panic a notary with a cut lily

or do in a nun with one smack of an ear.

It would be sweet

to run through the streets with a green knife

screaming till I died of cold.

I just can’t go on as a root in the dark,

swaying, stretching, shivering with sleep,

downward in the sodden guts of the earth,

musing and steeping, every day eating.

I don’t want so much misery for me.

I can’t go on being root and tomb,

lonely cellar, warehouse of frozen

stiffs, croaking from grief.

That’s why Monday flares up like petrol

when it sees me coming with my jailhouse mug,

and howls like a wounded wheel as it rides by,

making hot bloody tracks toward night.

And shoves me to certain corners, certain dank houses,

hospitals with bones sailing out the window,

to certain shoe stores reeking of vinegar,

streets as frightful as gullies.

There are sulfur-tinged birds and hideous intestines

hanging from the doors of houses I hate,

there are false teeth forgotten in a coffeepot,

here are mirrors

that must have wept for shame and horror,

umbrellas everywhere, poisons, and navels.

I’m walking around with calm, eyes, shoes,

rage and forgetfulness,

I walk along, skirting offices and orthopedic shops,

and backyards with clothing hung from a wire:

underpants, towels, and shirts that weep

slow dirty tears.

Federico Garcia Lorca presenting Pablo Neruda: Madrid, December 1934

“I say you are about to hear an authentic poet, one who has forged himself in a world that’s not ours, that few people perceive. A poet closer to death than philosophy, to pain than intellect, to blood than ink. A poet filled with mysterious voices that luckily he himself doesn’t know the meaning of. A true man who does know that the reed and the swallow are more permanent than the hard cheek on a statue…He stands up to the world, full of honest terror, and lacks two things so many false poets have lived with?hate and irony. When he’s about to condemn and raises his sword, suddenly he finds himself with a wounded dove between his fingers.”

pb 1
Chilean poet and diplomat Pablo Neruda in Stockholm with his wife Matilda after he received the Nobel Prize for literature.

Silkworms, Swathes and the Dead by Ramsha Ashraf

Epigraph

So…

It feels, again, like being a silkworm

Cocooned in a shell built upon its own saliva,

Reflecting the memory-aches,

With one thread hanging out of the shell

Living beyond time and space,

Which might be inferred as a calculation inside the cocoon.

The illusion, that it isn’t dark, inside, could be smudged easily

For darkness always stays in each corner

Wherever there is the name of a god.

(1)

The ‘Roza’ felt betrayed for the first time, in the naïve summer,

When the caramel of your lips was offered, a perquisite.

The religion had died many years ago, in my dry womb,

Before it could see the light of day as an infant,

And, before it could suckle the usual fluid

Of naivety from the nipples of slumber.

In retrospect… I feel, I can do the same again

For that ride to the wonderland. For one kiss.

Feet intersecting, mine placed upon yours,

Souls worshiping the void while standing

In the middle of another void,

With number seventeen at the end of its name.

(2)

The smell of the neon light grows stronger,

More and more intense as time transforms…

I could feel the gangrene

Growing in your stomach

Gesticulating, Omnipotent.

(3)

The blues stay with us

In the saliva of that one kiss

Which remains our first and last

Ride to the wonderland.

Dead Cornea: Lifeless Pupil by Ramsha

In an utter desire to disappear from the fringe of my own sight, I write this to you…

I know I have not been a good child unlike your other children. Now, when I feel that I am left all alone by those who claimed to stay there, to provide me with their shoulders to put my head on, and now when there are only those left around who have never withhold themselves from adding onto the toxicity of this already lethal stigma which we call life, I only desire to be with you. The distance has always played a cruel actor in the drama of my life. It already has snatched many precious people away from me, and now it is forcing me to bear the similar kind of loneliness for the thoughts that connect your affection with my ragged being.

I confess, in the darkest of times, that I need another life of the kind to learn how would I breathe through this one. The life which is according to our world or, maybe the life, which is appropriate in the other world; the real world waiting for us out there.

It is so bitter that I have begun to ignore the darkness. The metaphor which has played the role of almost an eternity for my mortality. I cannot even see, rather sense, darkness anymore. It is just my breathing which has kept me bothering about gazillion useless yet valuable issues. I have shared this plenty of times before, not with you, not with anyone else but, with him that I don’t want to breathe anymore. And, I know somewhere in the brains of my heart that it will keep moving forward for it has a few more nightmares to offer during the dazzling daylight and a few more scars to proffer within an ugly facade of salvation.

Afternoons of Extravagant Delight by Ramsha Ashraf

Picking on the dead flesh
The dead writes on the dead’s body.
He inks the pilgrimage to find sanctuary
From that dull, dismissive, charcoal night
Toward the afternoons of extravagant delight,
Not realizing, maybe in a desire of not wanting to realize,
That the pale flesh does not breathe, move and respond
To his elongated fingertips, his unfamiliar eyes move but do not see,
His finger-pores leave messages but withhold his characteristic warmth of oblivion.
Delightful, it could be, if the flesh-bearer could, again, sense the monotonous ink of love.

Muddle Of Memories by Ramsha Ashraf

There is a muddle of memories in my mind.

I can really not figure out which one gets me struck

to relish the baggage of minute details it contains in its torn, ragged, pocket.

(I think it is the medicine which is playing havoc with my nerves.)

It happens every winter

with the beginning of every chilling−raag

the memory of the old, worn-out, self knocks at the windowpane of my mind

the worthlessness it survived for years

in a false hope that things would get potently better

While they get worse.

The fear of the passing of many strange shadows around that self still haunts.

It strengthens, too, the conviction of tombs.

After being failed, for several times, by the ones who the self thinks love it, the remorse and the regret appear another useless ritual.